La recepció del contrapàs dantesc en les lletres catalanes cap a la Tardor medieval

More or less explicitly, we record the transmission of the contrapasso model by several Catalan authors after the Commedia​,​ such as Bernat Metge or Ausiàs March. The dialogue with th​is​ model leads to important innovations; particularly, in the case of Ausiàs March, the scene of the Christian ​afterworld moves to the inner dimension of the individual, with strong doses of psychological realism​ ​while showing the symptoms of a cultural crisis that characterizes​ ​the Fall of the Middle Ages.