In Sibirien. Ett självporträtt med vingar (1993, Siberia. A self-portrait with wings) by the Finland-Swedish author Ulla-Lena Lundberg, the representation of the self is inextricably linked to the perception of the surrounding natural elements. Drawing on the reflections proposed by Human-Animal Studies and Ecocriticism, this contribution analyses the way in which Lundberg questions the nature-culture dichotomy and blurs the boundaries between human beings and the environment.
Nell’opera Sibirien. Ett självporträtt med vingar (1993, Siberia. Un autoritratto con ali) dell’autrice svedese di Finlandia Ulla-Lena Lundberg, la rappresentazione del sé si lega indissolubilmente alla percezione degli elementi naturali circostanti. Il presente contributo, attingendo alle riflessioni proposte dagli Human-Animal Studies e dall’ecocritica, analizza il modo in cui Lundberg mette in discussione la dicotomia natura-cultura e sfuma i confini tra uomo e ambiente.
Ricordarsi com’è avere le ali. Uomo e natura in «Sibirien. Ett självporträtt med vingar» di Ulla-Lena Lundberg
Renata Maria Gallina
2023-01-01
Abstract
In Sibirien. Ett självporträtt med vingar (1993, Siberia. A self-portrait with wings) by the Finland-Swedish author Ulla-Lena Lundberg, the representation of the self is inextricably linked to the perception of the surrounding natural elements. Drawing on the reflections proposed by Human-Animal Studies and Ecocriticism, this contribution analyses the way in which Lundberg questions the nature-culture dichotomy and blurs the boundaries between human beings and the environment.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
