Стилистическая фигура антитезы в древнерусских гомилетике и агиографии стиля плетение словес

The translated Slavic hymnography, like the original Byzantine one, contains a large number of antitheses and antinomies, which served as a model for many original Slavic works. The article analyses the ancient Russian hom-iletic and hagiographic works from the point of view of the poetic features of antinomies and antitheses, which are often found in the works of the weaving of words style