This paper presents the analysis of an incised impasto fragment, probably coming from the territory of Montalcino (Castelnuovo dell’Abate) and characterized by a figurative scene. A warship, a bird, a goat, or ram and, probably, a siren appear in the central decorative scene. Despite a clear inability in the incisions, this ‘new’ document enriches the record of late Orientalising – or early Archaic – impasto productions. Considering the fragmentary nature of this fragment and the lack of a precise context of provenance, the exegesis of the figurative scene is complex. The association of a shipwreck scene with the siren (?) and the ram perhaps refers to the Odysseus nostos, in the more general context of well-known motives, which recur, for example, on the white-on-red impasto amphora, eponym of the Siren-Assurattasche Painter from tomb 17 of the Banditaccia necropolis.

"Un frammento in impasto inciso con scena nautica da Montalcino"

Tabolli, Jacopo
2024-01-01

Abstract

This paper presents the analysis of an incised impasto fragment, probably coming from the territory of Montalcino (Castelnuovo dell’Abate) and characterized by a figurative scene. A warship, a bird, a goat, or ram and, probably, a siren appear in the central decorative scene. Despite a clear inability in the incisions, this ‘new’ document enriches the record of late Orientalising – or early Archaic – impasto productions. Considering the fragmentary nature of this fragment and the lack of a precise context of provenance, the exegesis of the figurative scene is complex. The association of a shipwreck scene with the siren (?) and the ram perhaps refers to the Odysseus nostos, in the more general context of well-known motives, which recur, for example, on the white-on-red impasto amphora, eponym of the Siren-Assurattasche Painter from tomb 17 of the Banditaccia necropolis.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/20.500.14091/12103
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